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Neadeen
Masters CDA - Country Carousel Art©
Creating the
Independent Artist
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Painting by Judith Leyster - Dutch
1609 - 1660
When
I ask students why they take classes the majority will tell me
it's because they want to learn to paint. Most express the
desire to become artists, telling me why they wish to paint like
I do, feeling free to choose a design, paint whenever they have
the urge and with confidant abandon.
However the more I think
about what I see happening to our painting community the more it worries
me that there are classrooms that are not stepping up to the
plate to deliver what the student really wants and surely needs.
My goal in writing this is to bring awareness to this issue and
to encourage teachers to recognize this as being a way to
develop true creativity a stronger painter/artist from the
knowledge point of view and a loyal student following.

Journey to
'creativity'
When I came to decorative painting I brought with me a strong
desire to blend what I knew in the world of Fine Art with the
spirit of decorative painting. I was thrilled to find the step
by step methodology of teaching that the decorative painting
world offered and the fun classroom atmosphere of this popular
art form. However as the years have passed and I reflect on the
challenges that we teachers constantly face in the classroom,
seeing the lack of understanding of fundamentals, I am
concerned that these same methods of teaching are mainly what is
to blame for the stagnation, repetitiveness and many of the
serious problems within our industry as a whole.
The desire to become an artist is what brings the student to
seek a class in decorative painting. They admire the more
advanced work and hope some day to be able to paint in such a
manner. They take class after class, without any real guidance
or counseling, basing their class choices mostly on aesthetic
'project' appeal. After a time, many become bored, not knowing
why and move onto other interests, lost to our industry forever.
I've put a great deal of thought into how we can not only
prevent this, but encourage students and teachers alike to
become more aware of what their goals are and how to go about
bringing them (goals) to fruition.
It is important for teachers to realize what works and what
doesn't work and that if the focus doesn't move towards
embracing a change in class projects and put the focus back on
teaching correct art principles, we will continue to loose students at a
frightening rate. There is a real reason why the shops are
closing at such an alarming rate, and it isn't because the
classes are filled to overflowing. Something needs to change and
soon!
When teachers realize what it takes to becoming independent
artists within their own right, is only then it will filter down
to the students we have sitting in our classrooms. It is not
going to happen overnight, nor will
it happen without continued
education on everyone's part. Just like the
tortoise, slowly and surely we will attain our goals if we just
set a direction and move towards it. I have talked about this for years
and
am starting to see the decorative art industry placing more
weight on the importance of art education, starting with the
most important being colour knowledge.
When students have the desire
to become 'Independent Artists',
it is because they are serious about their dreams and goals.
The teacher needs to become a conduit instead of an obstacle to
helping this student on their way. If we teachers wish to
continue teaching in the future we have a responsibility to do
one of three things.
1. Step up to the plate and deliver material that will
challenge, teach and assist students on their personal journey
by guiding them with their choices of class, development of
skills and help them set and attain short and long term goals
for the future. After all, we are calling ourselves 'teachers'
2. Embark on a course of personal education either through self
study programs like the SDP Certification or take 'specialized' classes from reputable teachers
to gain further theory based knowledge to help advance what is brought
to the classroom each week. A win win situation for teacher,
students and our entire industry.
3. Limit teaching to a particular skill level, handing over
students to other teachers more skilled. This is a hard pill to
swallow sometimes, but should encourage most responsible
teachers to continually raise their own standards of learning. I
encourage new teachers to grow along with their students,
setting a pace and example for advancement.
When we as teachers and eventually our students become
'Independent Artists' together we create a classroom atmosphere
of learning and creativity. Knowing that is freedom. I speak
first hand because my Home Studio classroom here in Kelowna, is
one where the students are guided towards this
end goal. I can say that these students are growing
towards their personal goals, every year setting new goals, and
challenging not only themselves but constantly pushing my
skills to another level. Together we have a lively energetic and
creative formula for artistic success.
I encourage all painters, students and teachers to take a look
at your personal goals, evaluate why you take classes and what
you are doing to learn skills and gain a greater understanding
of what is necessary to become the 'Independent Artist'
Neadeen Masters CDA - ©2004
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