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Neadeen
Masters CDA - Country Carousel Art©
Beautiful
Texture
Texture in
art can be amazing and brushstrokes are even more fantastic!
Especially for those artists who are curious and tempted to
experiment with it. Impasto style paintings can be a creative
way to play and experiment with colour as well as texture. It is
also a way for those who wish to develop a 'looser or more
painterly' style to shed their fear for a while. 'Impasto' is a
traditional term used to describe a heavy or thick application
of paint to achieve special brushstroke effects. Artists first
began using this style of painting during the Renaissance and
then later Baroque periods. It was a way for them to use their
'brushstrokes' as a signature of sorts and many though this was
also an effective way to express and inject emotional meaning
into their paintings. They often felt that the texture of the
paint actually provided them with another way to make a visual
statement. Famous artists like Titian, Rembrandt, and later
Vincent Van Gogh used this style of application extensively.
In the past
this was achieved with thicker paint application and has
continued to be popular with artists still favoring this look
today, however the difference is today we usually add a medium
to add volume or bulk to accomplish this property. Did you know
that we can achieve this traditional texture when we use
JansenArt Texture Medium added directly with the Traditions
paint? This heavy medium mixes easily with the pure pigments
and offers great results. Traditions are medium viscosity paint,
so by adding the texture medium to it, we increase the viscosity
and make the paint denser or thicker.
Recently we
have seen an increased interest in 'impasto style' painting from
decorative art students, who in the past often favored smooth
texture-less surfaces! It was exciting for me once I realized
that highly textural surfaces could easily be achieved with
Traditions acrylic paints by simply combining them with the
Texture medium. Based on 20 plus years of experience with oils,
I experimented and worked with the Texture medium to create the
same textural effects that I was able to get when I worked with
oils! Here's how I do this - I mix the Texture Medium directly
into my puddle of paint to a ratio of about (2 paint: 1medium)
or less (medium) depending on the amount of texture I desire at
the time. The exact ratio will vary depending on what I am
painting. I do this on my wax palette and then transfer the now
thicker paint to my wet palette for safekeeping.
I found I had
ample time to work with it on my surface, and as it dried it got
thicker and then the fun really began. I use the JansenArt
filbert brushes for this as they have the body that is necessary
for this type of application as well as a palette knife to
create interesting effects. The 'loft' of the texture medium is
excellent and I was most impressed with the outcome after
drying. For a 'looser style' if you are trying this for the
first time, try holding the brush higher up on the handle, this
forces you to relax your grip and with a relaxed wrist you are
able to play with the paint and brush. Texture when used with
certain styles of painting adds three dimensional effects and
can also be used as a tool to create added form especially in
architectural buildings, landscapes and when used for specific
background treatments.
One of my students recently painted oversized flowers, using the
texture medium in a larger ratio necessary to create the flower
petal's edges and details. They were most effective on stretched
canvas.
The medium itself did not affect the intensity or brilliance of
the Traditions paint. When completely dry in 12 -24 hrs, the
colours were only slightly more matte, however after the
application of a barrier coat of Glazing medium the clarity and
brilliance returned. Transparent pigments were layered over some
areas for additional interest at the final stage and the results
were amazing! Glaze and varnish with 2 coats as
usual, remembering to heat set the varnish to cure it.
Neadeen Masters
CDA©